Lee Krasner in Hans Hoffman’s studio, early 1940s. Photo ©Robert E. Mates and Paul Katz. Lee Krasner artwork ©Pollock-Krasner Foundation/ARS.

POLLOCK-KRASNER FOUNDATION GRANT

Pollock-Krasner grants have enabled artists to create new work, purchase needed materials and pay for studio rent, as well as their personal expenses. Past recipients of Pollock-Krasner grants acknowledge their critical impact in allowing concentrated time for studio work, and in preparing for exhibitions and other professional opportunities such as accepting a residency.

REQUIREMENTS

Artists can apply to The Pollock-Krasner Foundation by submitting an online application. Requirements for consideration are the application form, a cover letter, a current resume including an exhibition record, and ten digital images of current work with a corresponding identification list. All applications will be promptly acknowledged and considered. Please do not send application forms by mail, fax or e-mail.

Apply here

Linh Phuong Nguyen, Mountains, 2009 1 ton of unrefined salt, 157 x 157 inches
Terence Koh, Bee Chapel, 2015 living bees, nature 8 x 12 ft
Deborah Roberts, Gone Girl, 2010 watercolor/acrylic on paper, 96 x 60 inches
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ORGANIZATION GRANT

* THIS AWARD IS NOMINATION ONLY.
Grants are awarded to non-profit organizations that directly engage with artists, such as museums by funding exhibitions and artist residency programs. The Foundation also supports exhibitions and scholarship about Krasner and Pollock artwork.
SculptureCenter In Practice Exhibition Program. 
Jesse Harrod, <em> Taught tight tender sway, </em> 2017, detail, <em> In Practice: Material Deviance, </em> SculptureCenter, New York, 2017. <span> Paracord, rope, cock rings, acrylic. Dimensions variable. </span> <span> Courtesy the artist.
 Photo: Kyle Knodell</span>
SculptureCenter In Practice Exhibition Program. Jesse Harrod, Taught tight tender sway, 2017, detail, In Practice: Material Deviance, SculptureCenter, New York, 2017. Paracord, rope, cock rings, acrylic. Dimensions variable. Courtesy the artist. Photo: Kyle Knodell
Woodstock Byrdcliffe Guild Artist in Residence Program<span>Photo courtesy Woodstock Byrdcliffe Guild</span>
Woodstock Byrdcliffe Guild Artist in Residence ProgramPhoto courtesy Woodstock Byrdcliffe Guild
Vermont Studio Center’s Schultz Sculpture Shop<span>Photo courtesy Monica Jane Frisell (www.monicafrisell.com)
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Vermont Studio Center’s Schultz Sculpture ShopPhoto courtesy Monica Jane Frisell (www.monicafrisell.com)

LEE KRASNER AWARD

* THIS AWARD IS NOMINATION ONLY.
Lee Krasner Awards are given in recognition of a lifetime of artistic achievement to artists with distinguished careers.
Oliver Lee Jackson
<em>No. 1, 2020 (6.14.2020),<em/> 2020 <span>
oil-based paints, chalk, on gessoed panel, 96 x 96 in.</span>
Oliver Lee Jackson No. 1, 2020 (6.14.2020), 2020 oil-based paints, chalk, on gessoed panel, 96 x 96 in.
Mildred Howard, <em>The House That Cannot Be Any Color Than It’s Own, </em> 2011
<span>10.5 x 11 x 9 feet; clear mirrored glass laminated hand-blown aubergine art glass</span>
Mildred Howard, The House That Cannot Be Any Color Than It’s Own,  2011 10.5 x 11 x 9 feet; clear mirrored glass laminated hand-blown aubergine art glass
Don Nice,<em> Life Saver Rainbow,</em> 2014
<span>30 x 22 ½ inches; watercolor</span>
Don Nice, Life Saver Rainbow, 2014 30 x 22 ½ inches; watercolor
Robert Hudson,<em> Yellow Light, </em>2010
<span>  42 x 48 x 29  inches; steel, cast iron shards, stainless steel, epoxy paint, bronze hat, reflective tape, swivel
</span>
Robert Hudson, Yellow Light, 2010 42 x 48 x 29  inches; steel, cast iron shards, stainless steel, epoxy paint, bronze hat, reflective tape, swivel
Morgan O'Hara,<em> Painter at Work,</em> 2011
<span>site specific wall drawing with flat black acrylic pain on white walls, 9 x 16 feet </span>
Morgan O'Hara, Painter at Work, 2011 site specific wall drawing with flat black acrylic pain on white walls, 9 x 16 feet

POLLOCK PRIZE FOR CREATIVITY

* THIS AWARD IS NOMINATION ONLY.
The Pollock Prize for Creativity honors an outstanding artist whose work embodies high creative standards and exemplifies the impact of art on individuals and society.
Sikander Shahzia <em>Touchstone,</em>2021<span>Glass and stone mosaic, 84 x 60 in.
Sikander Shahzia Touchstone,2021Glass and stone mosaic, 84 x 60 in.
Amy Sherald,  <em> Saint Woman, </em> 2015 <span> oil on canvas, 54 x 43 inches </span>
Amy Sherald, Saint Woman, 2015 oil on canvas, 54 x 43 inches
Todd Williamson, <em> Procession #2, 2019.</em><span>Oil on linen, 96 x72 inches</span>
Todd Williamson, Procession #2, 2019.Oil on linen, 96 x72 inches
Beili Liu, Lure/Kraków, 2017 hand-coiled thread, sewing needle, dimensions variable, coil 2”-5" in diameter, approximately 1000sqft. *Lure borrows from the ancient Chinese legend of The Red Thread, which tells that when children are born, they are connected with their soul mates by invisible red threads. They are fated to eventually find one another regardless of the obstacles and distances in between.
Gideon Mendel, <em> Chinita and Samundri Davi. Salempur Village near Muzaffarpur, Bihar, India, August 2007.</em><span>Lightjet C type photographic print on Fuji Crystal Archive Paper, 100 x 100 cm</span>
Gideon Mendel, Chinita and Samundri Davi. Salempur Village near Muzaffarpur, Bihar, India, August 2007.Lightjet C type photographic print on Fuji Crystal Archive Paper, 100 x 100 cm