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The Pollock-Krasner Foundation Annouces Visual Artist Shimon Attie Appointed as Stony Brook University’s Inaugural Charles C. Bergman Endowed Visiting Professor of Studio Art

THE POLLOCK-KRASNER FOUNDATION
ANNOUNCES VISUAL ARTIST
SHIMON ATTIE
APPOINTED AS STONY BROOK UNIVERSITY’S
INAUGURAL CHARLES C. BERGMAN ENDOWED
VISITING PROFESSOR OF STUDIO ART

 

New York, NY – September 3, 2020 – The Pollock-Krasner Foundation announced today that visual artist Shimon Attie was appointed as the inaugural Charles C. Bergman Endowed Visiting Professor of Studio Art at Stony Brook University’s College of Arts and Sciences. Mr. Attie, who began his tenure at the start of the fall semester on August 24, is a 2019-2020 Lee Krasner Award recipient and an internationally renowned artist whose practice spans mixed-media and site-specific installations for museums, galleries, and public spaces, photographs, and new media works.

Made possible by an endowment from the Pollock-Krasner Foundation, the visiting professorship was created in honor of the late Charles C. Bergman, who served as the Foundation’s Executive Vice President and then Chairman and CEO from the organization’s inception in 1985 until his death in 2018. The Foundation and Stony Brook University’s creation of this position celebrates Bergman’s commitment to the University and his lifelong devotion to the visual arts and artists and celebrates the legacies of Lee Krasner and Jackson Pollock.

“Shimon Attie is a leading visual artist who has extensive experience teaching at a University level, and the Pollock-Krasner Foundation is thrilled that in addition to being a recent recipient of the Foundation’s Lee Krasner Award, he has now been chosen as the inaugural Charles C. Bergman Endowed Visiting Professor of Studio Art,” said Ronald D. Spencer, Chairman and CEO of the Pollock-Krasner Foundation. “This position not only honor’s Charlie’s life and work, it also advances the legacies of Lee Krasner and Jackson Pollock, and we are grateful to Stony Brook University for partnering with us to establish this visiting professorship.”

“The Pollock-Krasner Foundation has been a staunch supporter of my work for many years, and I’m incredibly grateful to them for the resources they have provided to me and thousands of other artists over the years, allowing us to advance our practice,” said Shimon Attie. “I look forward to working with the extraordinarily talented students and staff at Stony Brook University over the course of this school year as we uphold not only Krasner and Pollock’s legacy but that of Charlie C. Bergman as well, who was at the forefront of bringing Krasner’s vision for the Pollock-Krasner Foundation to fruition.”

For more than two decades, Mr. Attie has made art that allows viewers to reflect on the relationship between place, memory, and identity. In many of his projects he engages local communities in finding new ways of representing their history, memory, and potential futures, and explores how contemporary media may be used to re-imagine new relationships between space, time, place, and identity. His work has been shown in group and solo exhibitions in museums and galleries around the world, including at The Museum of Modern Art, the Corcoran Gallery of Art, Centre Georges Pompidou, The Miami Art Museum, and The National Gallery of Art, among many others, and his work is currently on view as part of a traveling exhibition, American Portraiture Today, organized by the National Portrait Gallery.

Chosen from a competitive pool of candidates, Mr. Attie will help to promote the continuing relevance of the life and work of Lee Krasner and Jackson Pollock, the Pollock-Krasner House and Study Center, and the Pollock-Krasner Foundation. He will also collaborate with the Director of the Pollock-Krasner House and Study Center on various educational programs, including activities for Stony Brook University students.

In addition to the Charles C. Bergman Visiting Professorship, the Pollock-Krasner Foundation has a long history with Stony Brook University. The home of Krasner and Pollock in East Hampton, now known as The Pollock-Krasner House, was part of Krasner’s original bequest after her death in 1984. Following her wishes that the House be given to a charitable institution that could preserve the space as a place for the study of modern American art, the Foundation donated the House to Stony Brook University, who then built the Study Center and oversees its use today as a resource to artists and the Long Island community.

ABOUT SHIMON ATTIE

Shimon Attie is a visual artist, whose practice includes creating single and multiple-channel video works, mixed-media, and site-specific installations for museums/galleries and public places, photographs, and new media works. Mr. Attie’s projects explore how contemporary media may be used to re-imagine new relationships between space, time, place, and identity. In many works, he engages local communities in finding new ways of representing their history, memory, and potential futures. Mr. Attie is particularly concerned with issues of loss, communal trauma and the potential for regeneration, and how the histories of marginalized communities can be introduced into the physical and social landscape of the present. Mr. Attie’s received numerous awards including the Guggenheim, The Rome Prize, The Radcliffe Institute, The NEA, NYSCA, the Pollock-Krasner Foundation’s Lee Krasner Award, and in 2018, Mr. Attie was inducted into the National Academy of Design. Mr. Attie’s work has been exhibited/collected by numerous museums around the world, including NY MoMA, Centre Pompidou, and The National Gallery, among many others. Recent solo exhibitions include the Saint Louis Art Museum (2017) and Madison MoCA (2019). Attie’s work is currently on view in American Portraiture Today at the National Portrait Gallery. Five monographs have been published on Attie’s work, most recently Facts on the Ground (Nazraeli, 2016).

 

ABOUT POLLOCK-KRASNER FOUNDATION

For more than three decades, the Pollock-Krasner Foundation has supported working artists and visual arts organizations internationally. Established in 1985 through the generosity of Lee Krasner, one of the foremost abstract expressionist painters of the 20th century and widow of Jackson Pollock, the Foundation is a leader in providing resources to emerging and established artists. To date, the Foundation has awarded nearly 5,000 grants totaling $79 million in 78 countries. For more information, including guidelines for grant applications, visit the Foundation’s website: www.pkf.org.

 

ABOUT STONY BROOK UNIVERSITY
Stony Brook University, widely regarded as a SUNY flagship, is going far beyond the expectations of today’s public universities. With more than 26,000 students, 2,700 faculty members, nearly 200,000 alumni, an academic medical center and 18 NCAA Division I athletic programs, it is one of only four University Center campuses in the State University of New York (SUNY) system. The University embraces its mission to provide comprehensive undergraduate, graduate, and professional education of the highest quality, and has been ranked among the top 35 public universities in the nation by U.S. News & World Report. Fostering a commitment to academic research and intellectual endeavors, Stony Brook’s membership in the Association of American Universities (AAU) places it among the top 65 research institutions in North America. The University’s distinguished faculty have earned esteemed awards such as the Nobel Prize, Pulitzer Prize, Indianapolis Prize for animal conservation, Abel Prize, and the inaugural Breakthrough Prize in Mathematics. Part of the management team of Brookhaven National Laboratory of the U.S. Department of Energy, Stony Brook is one of only eight universities that has a role in running a national laboratory. Providing economic growth for neighboring communities and the wider geographic region, the University totals an impressive $7.23 billion in increased economic output on Long Island.

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The Pollock-Krasner Foundation, Inc. awards the second Pollock Prize for Creativity to Amy Sherald.

NEW YORK, NY, April 16, 2018— Kerrie Buitrago, Executive Vice President and Chief Operating Officer of the Pollock-Krasner Foundation, today announced that Amy Sherald is the recipient of the second Pollock Prize for Creativity, honoring an outstanding artist whose work embodies high creative standards and exemplifies the impact of art on individuals and society. The Pollock Prize carries a cash award of $50,000.

Sherald hails from Baltimore. Her portraiture is a compelling commentary on race and heritage; the work is subtle in its innuendo, yet the subject’s gaze is always very direct, creating a dynamic tension on the canvas. Sherald is the first African American to receive first prize in 2016 Outwin Boochever Portrait Competition from the National Gallery, where her portrait of First Lady Michelle Obama was unveiled earlier this year.

The Pollock Prize is an extension of the existing Lee Krasner Award, given to an older artist in recognition of a lifetime of achievement. The Pollock Prize, by contrast, will lend support to outstanding artists who may be in mid-career, and whose ongoing work has a social and cultural dimension. The Prize will be awarded to an artist working in one of the disciplines the Pollock-Krasner Foundation supports—painting, sculpture, works on paper and printmaking, or photography. As with the Lee Krasner Award, there is no application for the Pollock Prize, which is given by a Foundation jury based on the recommendations of a network of nominators.

Amy Sherald said, “I am honored to receive this year’s Pollock Prize for Creativity. Jackson Pollock’s radical disruption of the two-dimensional picture plane to energize abstract forms has resonated greatly in my own journey to examine and elaborate art historical conventions. My paintings seek to reshape critical and cultural dialogues around representations of black experiences in portraiture and other modes of visual imagination. Depicting black people engaged and present in contemporary, everyday life, I partake in the slow and intensive tradition of American realist painting. I am profoundly grateful to the Pollock-Krasner Foundation for supporting this work and for providing me with the resources to continue sharing American stories otherwise removed from the dominant, canonical narratives.”

Kerrie Buitrago noted, “It is exciting to encounter an artist like Amy Sherald who is able to convey in a beautiful and meaningful way the important historical narrative of black heritage. The Pollock-Krasner Foundation is delighted to be able to make this award and to recognize Amy Sherald’s groundbreaking achievement in conceptual portraiture.”

The Pollock-Krasner Foundation, Inc. was established in 1985 through the generosity of the late Lee Krasner, one of the leading abstraction expressionist painters and the widow of Jackson Pollock. Based in New York but operating internationally, the Foundation through its grants has enabled artists to create new work, purchase needed materials and pay for studio rent, as well as meet their personal and medical expenses. Recipients of Pollock-Krasner grants have acknowledged their critical impact in allowing concentrated time to work in the studio and prepare for exhibitions and other professional opportunities such as residencies. The Foundation has awarded more than 4,400 grants to date in 77 countries, for a total of more than $71 million.

To provide additional support, the Foundation maintains an up to date and comprehensive Grantee Image Collection representing the work of artists who have received grants since inception. Each artist is requested to give the Foundation permission to post two images of works from the year of his or her grant and also has the option of adding to this number with later works. The database also provides contact information for each artist.

For more information, including guidelines for grant applications, the public may visit the Foundation’s website at www.pkf.org.

PRESS CONTACT:
Kerrie Buitrago
Executive Vice President & Chief Operating Officer
The Pollock-Krasner Foundation
kbuitrago@pkf.org / (212) 517-5400

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Image credit: Amy Sherald, They Call Me Redbone But I’d Rather Be Strawberry Shortcake, oil on canvas, 54 x 43 inches.