May 2, 2019

Pollock-Krasner Foundation announces 2018-2019 grants totaling over $3 million

124 Grants Awarded to 111 Artists and 12 Institutions across
U.S. and Internationally

New York, NY – April 17, 2018 – The Pollock-Krasner Foundation announced today it has awarded $3,168,000 to 111 artists and 12 organizations during its 2018-2019 grant cycle. The 124 grants provided invaluable support to national and international artists and not-for-profit organizations. This year’s grantees and award recipients include artists from 18 states, Puerto Rico, and 17 countries. These grants provide critical professional support to artists around the globe, enabling them to create new work, offset living expenses, and prepare for exhibitions. The Foundation has also provided Emergency Relief Grants to artists affected by recent hurricanes and California wildfires. Since its inception in 1985, the Foundation has awarded more than 4,510 grants in 77 countries, for a total of nearly $74 million.

“At the core of the Pollock-Krasner Foundation’s mission is fostering the work and development of artists, and our 2018-19 grant and award recipients highlight the impact we can have due to Lee Krasner’s legacy,” said Ronald D. Spencer, Chairman and CEO of the Pollock-Krasner Foundation. “In addition, through our support of institutions such as the Barbican Centre and their upcoming Lee Krasner retrospective and catalogue, and the Katonah Museum of Art’s exhibition of the work of Krasner and other women artists who participated in the groundbreaking 9th Street Show, we are continuing to advance much-needed scholarship.”

The Lee Krasner Award, given in recognition of a lifetime of artistic achievement, was awarded to artists Squeak Carnwath and Blane De St. Croix in honor of their distinguished careers. Earlier this year the Foundation announced Todd Williamson as the recipient of the 2018-19 Pollock Prize for Creativity, created to honor the artistic legacies of Lee Krasner and Jackson Pollock and given to an artist whose work embodies high creative standards and has a substantial impact on individuals and society. The $50,000 award is being used to support Williamson’s exhibition Processional, a solo installation on view during the 58th International Art Exhibition of La Biennale di Venezia, May 9 through November 24, 2019.

The Pollock-Krasner Foundation also supports nonprofit institutions that engage with artists and has awarded 13 grants to organizations including museums, art schools, and artist residency programs. This year recipients include the Charlotte Street Foundation in Kansas City, MO for its residency program and a new Pollock-Krasner Foundation studio; the Byrdcliffe Guild in Woodstock, NY for its renovation of studio spaces; and the Storm King Art Center in New Windsor, NY for an exhibition and residency program.

Pollock-Krasner Foundation 2018-19 Artist Grantees:

  • Rebecca Aloisio, Victor, NY
  • Djordje Aralica, Belgrade, Serbia
  • Nestor Arenas, Miami, FL
  • Osi Audu, Hurley, NY
  • Amadeo Azar, Buenos Aires, Argentina
  • Natalie Ball, Chiloquin, OR
  • Audrey Barcio, Evanston, IL
  • Karin Batten, New York, NY
  • Amel Bennys, New York, NY
  • Sharif Bey, Syracuse, NY
  • Chris Bogia, Astoria, NY
  • Helen Booth, Llandysul, Wales
  • Jennifer Boysen,Venture, CA
  • Shane Bradford, London, England
  • Michael Bramwell, Cary, NC
  • Mark Brosseau, Greer, SC
  • Robert Buck, New York, NY
  • Dora Budor, New York, NY
  • Pam Cardwell, New York, NY
  • Squeak Carnwath, Oakland, CA
  • Juliana Cerqueira Leite, Brooklyn, NY
  • Tibi Chelcea, Ames, IA
  • Mel Chin, Burnsville, NC
  • Eun Joung Cho, South Korea
  • Lauren Clay, Brooklyn, NY
  • Diana Cooper, Brooklyn, NY
  • Christine Corday, Gardiner, NY
  • Morgan Craig, Philadelphia, PA
  • Cynthia Daignault, Gibson Island, MD
  • Blaine De St. Croix, Brooklyn, NY
  • Ana H. del Amo, Cáceres, Spain
  • John Dempcy, Seattle, WA
  • Jasenko Dordevic, Bosnia and Herzegovina
  • Sebastijan Dracic, Zagreb, Croatia
  • Greg Drasler, New York, NY
  • Chris Drury, Laughton Lewes, England
  • Jack Early, Brooklyn, NY
  • Mitch Epstein, New York, NY
  • Bart Exposito, Lamy, NM
  • Barbara Fisher, Asheville, NC
  • Craig Fisher, New York, NY
  • Arpad Forgo, Budapest, Hungary
  • Carolina Fusilier, Mexico
  • Pio Galbis, Brooklyn, NY
  • Joan Gold, Eureka, CA
  • Jodie Mim Goodnough, Pawtucket, RI
  • Elliott Green, Athens, NY
  • David Hardy, Brooklyn, NY
  • Clarity Haynes, Brooklyn, NY
  • Nolan Hendrickson, Los Angeles, CA
  • Virva Hinnemo, East Hampton, NY
  • William Holub, Old Lyme, CT
  • Eric Holzman, New York, NY
  • Judit Horvath Loczi, Budapest, Hungary
  • Richard Hughes, Herefordshire, England
  • Junichiro Iwase, Richmond, BC, Canada
  • Colter Jacobsen, San Francisco, CA
  • Marcus Maria Jung, Santa Monica, CA
  • Matthew Keegan, Brooklyn, NY
  • Nsenga Knight, Cairo, Egypt & New York, NY
  • Hiromitsu Kuroo, Brooklyn, NY
  • Justen Ladda, New York, NY
  • Mokha Laget, Santa Fe, NM
  • Luciana Lamothe, Caba, Argentina
  • Shane Lavalette, Syracuse, NY
  • Harry Leigh, Suffern, NY
  • Alfred Leslie, New York, NY
  • Mary Little, Los Angeles, CA
  • Karen Lofgren, Los Angeles, CA
  • Medrie MacPhee, Ridgewood, NY
  • Henrietta Mantooth, New York, NY
  • Vera Martins, Sao Paulo, Brazil
  • Jason Mena, Ciudad Jardin Carolina, PR
  • Aleksandra Mir, London, England
  • Sabre Moore, Abiquiu, NM
  • Amy Myers, Brooklyn, NY
  • Jason Needham, Kansas City, KS
  • Anna Ostoya, Brooklyn, NY
  • Poorvesh Patel, Nizampura Vadodara, India
  • Bruce Pearson, Long Island City, NY
  • Oren Pinhassi, New York, NY
  • Linda Pochesci, Boston, MA
  • Don Porcaro, New York, NY
  • Celeste Rapone, Chicago, IL
  • Ricardo Ribeiro, Sao Paulo, Brazil
  • Brie Ruais, Brooklyn, NY
  • Veronica Ryan, New York, NY
  • Aki Sasamoto, Brooklyn, NY
  • David Schafer, Culver City, CA
  • Fran Shalom, Jersey City, NJ
  • William Stewart, Taos, NM
  • Melinda Stickney-Gibson, Mount Tremper, NY
  • Pradeep Sukumaran, Thiruvananthapuram, India
  • Janos Szasz Saxon, Budapest, Hungary
  • Emanuel Torres Perez, Aguas Buenas, PR
  • Bernd Trasberger, Berlin, Germany
  • Gladys Triana, New York, NY
  • Daniel Turner, Brooklyn, NY
  • Victoria Idongesit Udondian, Brooklyn, NY
  • Hans van Meeuwen, Brooklyn, NY
  • Teresa Viana, Sao Paulo, Brazil
  • Ann Weber, San Pedro, CA
  • Claudia Weber, Chicago, IL
  • Jennifer Williams, Woodside, NY
  • Michael Kelly Williams, Amenia, NY
  • Todd Williamson, West Hollywood, CA
  • Keith Wilson, Ballycastle, Ireland
  • Vipin Kumar Yadav, New Delhi, India
  • Viola Yesiltac, Brooklyn, NY
  • Tomas Zemla, Spacince, Slovakia

Pollock-Krasner Foundation, 2018-19 Organization Grantees:

  • Charlotte Street Foundation, Kansas City, MO; support for its residency program and capital projects
  • City Arts, New York, NY; support for artists and upcoming exhibitions
  • International Foundation for Art Research, New York, NY; funding for operating expenses and 50th anniversary initiative
  • International Studio & Curatorial Program, Brooklyn, NY; residency program funding
  • Katonah Museum of Art, Katonah, NY; funding for catalogue accompanying the Sparkling Amazons: Abstract Expressionist Women of the 9th Street Show exhibition featuring works by Lee Krasner
  • MacDowell Colony, New York, NY; residency programming funding
  • New York Foundation for the Arts, Brooklyn, NY; support for The Source, a comprehensive artist resource database
  • The Pollock-Krasner House and Study Center, East Hampton, NY; Charles C. Bergman Endowed Fellowship funding
  • Storm King Art Center, New Windsor, NY; support for upcoming exhibition and Shandaken Residency
  • Vermont Studio Center, Johnson, VT; residency program funding
  • Woodstock Byrdcliffe Guild, Woodstock, NY; renovation of studio space

ORGANIZATION GRANTS COMING TO FRUITION

Recent organization grants include support for the Madison Square Park Conservancy as commissioner of the U.S. Pavilion at the 58th International Art Exhibition La Biennale di Venezia 2019. The Foundation awarded a $100,000 grant towards Martin Puryear’s exhibition, Martin Puryear: Liberty/Martin Puryear: Libertà.

In addition, in London, the Barbican Centre’s exhibition Lee Krasner: Living Colour will be on view from May 28 through September 1, 2019, which is the first major European retrospective of the artist’s work in over 50 years. The Foundation is a major lender to the exhibition and has provided funding for its accompanying monograph, edited by art historian and Barbican curator Eleanor Nairne and co-published by Thames & Hudson and the Barbican. The Lee Krasner exhibition will travel to the Schirn Kunsthalle, Frankfurt October 11, 2019 through January 12, 2020; Zentrum Paul Klee Bern, February 7 through May 10, 2020; and Guggenheim Bilbao, May 29 through September 6, 2020.

ABOUT POLLOCK-KRASNER FOUNDATION

The Pollock-Krasner Foundation was established in 1985 through the generosity of Lee Krasner, a leading abstraction expressionist painter and spouse of Jackson Pollock. Based in New York and operating internationally, the Foundation’s grants enable artists to advance their practice. Recipients of Pollock-Krasner grants have noted the generous and critical impact of this funding in allowing concentrated time to work in the studio and prepare for exhibitions.

To provide additional support to its grantees, the Foundation maintains an up to date and comprehensive Grantee Image Collection representing the work of artists who have received grants since 1985. For more information, including guidelines for grant applications, visit the Foundation’s website: www.pkf.org.

# # #

Press Inquiries:

Resnicow and Associates

Julie Danni / Elizabeth Chapman

212-671-5173 / 212-671-5159

jdanni@resnicow.com / echapman@resnicow.com


March 7, 2019

Pollock-Krasner Foundation awards Todd Williamson the Pollock Prize for Creativity

photo courtesy Todd Williamson

$50,000 Prize Supports His Exhibition, “Processional”

At Chiesa di Santa Maria della Pietà During the 58th Venice Biennale

May 9 through November 24, 2019

 

New York, NY – March 5, 2019 – The Pollock-Krasner Foundation has awarded the Pollock Prize for Creativity to Todd Williamson. The $50,000 award will be directed towards Williamson’s exhibition Processional, a solo installation on view during the 58th International Art Exhibition of La Biennale di Venezia, May 9 through November 24, 2019.

In partnership with MAK Center for Art and Architecture and curated by MAK Executive Director Priscilla Fraser, Processional will be presented at the Chiesa di Santa Maria della Pietà, located on Riva degli Schiavoni between St. Mark’s Square and the entrance to the Arsenale. Williamson’s eight large-scale canvases will be displayed on the walls of a narrow chapel and will interact with the 18th-century church’s classically proportioned interior, challenging perceived order and tradition. The exhibition will explore contemporary influencers and thought leaders such as Barack Obama, Steve Jobs, and Nelson Mandela. It will also feature a sound room in the entry vestibule, with music that will be a harmonic nocturne created in collaboration with Professor Greg Walter from the University of North Carolina School of the Arts.

The annual Pollock Prize for Creativity, created to honor the artistic legacies of Lee Krasner and Jackson Pollock, is given to an artist whose work embodies high creative standards and has a substantial impact on individuals and society. Previous Pollock Prize winners include Amy Sherald and Gideon Mendel. The Foundation also honors artists with the Lee Krasner Award, recognizing a lifetime of distinguished artistic achievement. Recipients have included Mel Chin, Chris Drury, Alfred Leslie, Don Nice, Morgan O’Hara, and Masami Teraoka.

Established in 1985 through the generosity of Lee Krasner, the Foundation provides grants to artists that allow them to create new work. Since inception, the Foundation has awarded $75 million to 4,500 artist grantees in 77 countries. These grants can be used by artists to create new work, rent studio space and prepare exhibitions.

Williamson, an American artist based in California whose work has been exhibited in New York, Los Angeles, Milan, Naples, and Tokyo, has been part of the California school of abstraction and was the recipient of a 2010 Pollock-Krasner Grant.

“Todd Williamson is a gifted artist who, with curator Priscilla Fraser, has created an innovative installation,” said Ronald D. Spencer, Chairman and CEO of Pollock-Krasner Foundation. “The Venice Biennale provides a wonderful platform for Todd to show his work on an international stage. We are delighted to help support his exhibition, because fostering new work and the development of visual artists is central to the Foundation’s mission.”

“I am deeply honored to be recognized by the Pollock-Krasner Foundation with the Pollock Prize for Creativity. The award provides invaluable support for my work in Venice, allowing me to focus on the creation of my art,” said Todd Williamson. “I am grateful to the Foundation for their generous support.”

Williamson’s concept for Processional interplays with the Chiesa di Santa Maria Della Pietà’s classical design. Occupying the long, narrow chapel located to the side of the Church, the space will invite a meditative, sequential process of reflection. Drawing from the formal proportions, material richness, and dramatic natural light of the site, Williamson has developed a series of works to encourage contemplation yet challenge the perceived order. The eight-painting installation will offer a new layer to the deep patina of aging plaster and brick, establishing a rich, and continuous monochromatic palette.

ADDITIONAL POLLOCK-KRASNER FOUNDATION GRANTS

The Pollock-Krasner Foundation is also supporting Madison Square Park Conservancy’s role as commissioner of the U.S. Pavilion at the Biennale Arte 2019 with a $100,000 grant towards Martin Puryear’s exhibition, Martin Puryear: Liberty/Martin Puryear: Libertà.

From May 28 through September 1, 2019, the Barbican Centre will present Lee Krasner: Living Colour, the first major European retrospective of the artist’s work in over 50 years. The Foundation is a major lender to the exhibition and has provided funding for its accompanying monograph, edited by art historian and Barbican Art Gallery curator Eleanor Nairne and co-published by Thames & Hudson and the Barbican. The Lee Krasner exhibition will travel to the Schirn Kunsthalle Frankfurt May 30 – September 1, 2019, Zentrum Paul Klee, Bern October 10, 2019 – January 12, 2020 and Guggenheim Bilbao February 7 – May 10, 2020.

ABOUT TODD WILLIAMSON
For the past 20 years Todd Williamson has been a vital part of the California school of abstraction. Williamson has exhibited extensively both in the United States and internationally including the Palm Springs Art Museum (2016), Galerie Stenzel (2017), Villa di Donato (2015), and MOCA Museum (2009). Williamson has been awarded two ArtSlant International Showcase Awards, Curator’s Choice Award from the Micro Museum, Brooklyn NY, and an Artistic Merit Award from the City of Naples, Italy.

ABOUT POLLOCK-KRASNER FOUNDATION

The Pollock-Krasner Foundation was established in 1985 through the generosity of Lee Krasner, a leading abstraction expressionist painter and spouse of Jackson Pollock. Based in New York and operating internationally, the Foundation’s grants enable artists to advance their art. Recipients of Pollock-Krasner grants have acknowledged their critical impact in allowing concentrated time to work in the studio and prepare for exhibitions.

 

To provide additional support, the Foundation maintains an up to date and comprehensive Grantee Image Collection representing the work of artists who have received grants since 1985. For more information, including guidelines for grant applications, the public may visit the Foundation’s website: www.pkf.org.

# # #

Press Inquiries:

Resnicow and Associates

Julie Danni / Ilana Simon Rubin

212-671-5173 / 720-746-9552

jdanni@resnicow.com / irubin@resnicow.com


October 11, 2018

The Pollock-Krasner Foundation announces 2017-18 Grants of 3.9 Million

Lee Krasner Award recipient Morgan O’Hara in the studio.

154 Grants Awarded to 125 Artists and 25 Institutions
across the U.S. and Internationally
Foundation Awards $100,000 to
Madison Square Park Conservancy in support of Martin Puryear
for
U.S. Pavilion at the 2019 Venice Biennale

New York, NY – October 10, 2018 – The Pollock-Krasner Foundation. announced today it has awarded $3,905,000 to 125 artists and 25 organizations during its 2017-2018 grant cycle. The 154 grants provide invaluable support to national and international artists and not-for-profit organizations. This year’s grantees and award recipients include artists from 24 states, Puerto Rico, and 14 countries. Through this round of grants, the Foundation has been able to provide critical professional support to artists around the globe, enabling artists to create new work and prepare for exhibitions and residencies. The Foundation’s Emergency Relief Grants provided $228,000 to artists and organizations affected by recent devastating hurricanes and California wildfires. Since its inception in 1985, the Foundation has awarded more than 4,510 grants in 77 countries, for a total of nearly $74 million.

In addition to its annual grant recipients, the Foundation also announced a $100,000 grant to the Madison Square Park Conservancy in support of Martin Puryear and his commission for the 2019 U.S. Pavilion at the 58th Venice Biennale. Puryear will create new work for Venice on view May 11 through November 24, 2019.

“Our 2017-18 grant and award recipients demonstrate the depth and breadth of the artists and organizations the Foundation is able to serve, thanks to the legacy of Lee Krasner,” said Ronald D. Spencer, Chairman and CEO of The Pollock-Krasner Foundation. “We are honored to be able to support Martin Puryear through his commission for the U.S. Pavilion for the 2019 Venice Biennale.”

The Lee Krasner Award, given in recognition of a lifetime of artistic achievement was awarded to artists Mel Chin, Chris Drury, Alfred Leslie, Don Nice, Morgan O’Hara, and Masami Teraoka in recognition of their distinguished careers. Additionally, Amy Sherald, the official portrait artist of former First Lady Michelle Obama, is the recipient of the 2017-18 Pollock Prize for Creativity, awarded to an outstanding artist whose work embodies high creative standards and exemplifies the impact of art on individuals and society. A 2013 Pollock-Krasner grant recipient, Sherald is the second recipient of the Pollock Prize, following South African photographer Gideon Mendel, who received the honor in 2016.

The Pollock-Krasner Foundation also supports not-for-profit institutions that engage with artists and has awarded 29 grants to 25 organizations ranging from museums, art schools, artist residency programs, and institutions such as the Barbican Centre in London in support of an upcoming exhibition; the Skowhegan School of Painting & Sculpture for a new Pollock-Krasner Foundation Ceramics Studio, and a Stony Brook endowed studio art professor fellowship; and to the Byrdcliffe Artists-in-Residence program in Woodstock, NY.

The Pollock-Krasner Foundation 2017-18 Artist Grantees:

  • Zarouhie Abdalian, New Orleans, LA
  • Inbal Abergil, New York, NY
  • Rachel Beth Abrams, Brooklyn, NY
  • Tomer Aluf, Brooklyn, NY
  • Deborah Anzinger, Sparks, NY
  • Ines E. Aponte, San Juan, PR
  • Lawrence Baker, Cleveland Heights, OH
  • Yevgeniya Baras, Sunnyside, NY
  • Frances Barth, North Bergen, NJ
  • Robert Bergman, Richfield, MN
  • Carlo Bernardini, Milan, Italy
  • Hermes Berrio, Miami, FL
  • Colleen Blackard, Brooklyn, NY
  • Linda Bond, Weston, MA
  • Leslie Brack, Ithaca, NY
  • John R. Briggs, Plant City, FL
  • James Hiyme Brummett, Houston, TX
  • Victoria Burge, Philadelphia, PA
  • Christopher Burke, Columbus, OH
  • Kellyann Burns, Los Angeles, CA
  • Peter G. Callas, Belvidere, NJ
  • Hristina Ivanoska & Yane Calovski, Skopje, Macedonia
  • Eugenia Calvo, Rosario, Argentina
  • Elaine Cameron-Weir, Queens, NY
  • Crystal Z. Campbell, Tulsa, OK
  • Mary Ellen Carroll, New York, NY
  • Noa Charuvi, Brooklyn, NY
  • Sanjoy Chatterjee, West Bengal, India
  • Milano Chow, San Marino, CA
  • Amanda Church, New York, NY
  • Margaret Cogswell, Jackson Heights, NY
  • Sydney Croskery, Los Angeles, CA
  • Tony Cruz Pabon, San Juan, PR
  • Anne Deeming, Bristol, England
  • Rodney Dickson, Brooklyn, NY
  • Jeremy Ehling, Petaluma, CA
  • Scott Daniel Ellison, Beacon, NY
  • Franklin Evans, New York, NY
  • Kate Fauvell, New York, NY
  • Patricia Fernandez, Los Angeles, CA
  • Silvio Fischbein, Buenos Aires, Argentina
  • Raymond Gaddy, Savannah, GA
  • David Gaither, Mableton, GA
  • Chitra Ganesh, Brooklyn, NY
  • Christy Georg, Santa Fe, NM
  • Rema Ghuloum, Los Angeles, CA
  • Daniel González, New York, NY
  • Heather Goodwind, Portland, OR
  • Joanne Greenbaum, New York, NY
  • Magalie Guerin, Chicago, IL
  • Theresa Hackett, New York, NY
  • Patrick Hill, Southfield, MI
  • Moses Hoskins, Long Island City, NY
  • Robert H. Hudson, Cotati, CA
  • Ron Johnson, Richmond, VA
  • Sun Young Kang, East Amherst, NY
  • Tatana Kellner, Kingston, NY
  • Catherine Kernan, Somerville, MA
  • Bomin Kim, Seoul, South Korea
  • John Kindness, London, UK
  • Sandy Kinee, Colorado Springs, CO
  • Richard Kostelanetz, Ridgewood, NY
  • Eva Koves, Budapest, Hungary
  • Agnieszka Kurant, New York, NY
  • Liv Mette Larsen, Brooklyn, NY
  • Richard Levine, Falls Church, VA
  • Joan Logue, New York, NY
  • Alice Mann, London, England
  • Daniel Massad, Annville, PA
  • Dave McDermott, Brooklyn, NY
  • James Lancel McElhinney, New York, NY
  • Gina Medcalf, London, England
  • Yonas Million, Addis Ababa, Ethiopia
  • Keith Milow, London, England
  • Ramón Miranda Beltrán, San Juan, PR
  • Marcelo Moscheta Sao Paulo, Brazil
  • Eduardo Joaquin Munoz, Austin, TX
  • Erin Murray, Philadelphia, PA
  • Sophia Narrett, Brooklyn, NY
  • Rashaad Newsome, Brooklyn, NY
  • Adam Novak, Los Angeles, CA
  • David Nyzio, Stone Ridge, NY
  • Margaux Ogden, Brooklyn, NY
  • Ariadna Pastorini, Buenos Aires, Argentina
  • Zoran Pavelic, Zagreb, Croatia
  • Paul Pavia, New York, NY
  • Ben Pederson, Brooklyn, NY
  • Pedro Peralta, Montevideo, Uruguay
  • Ann Purcell, Brooklyn, NY
  • Andrea Reynosa, Callicoon, NY
  • Elizabeth Riggle, Brooklyn, NY
  • Elizabeth Robles, San Juan, PR
  • Omar Rosales, Ciudad de Mexico
  • Mel Rosas, Royal Oak, MI
  • Nabanita Saha, Mumbai, India
  • Christian Schiess, Alameda, CA
  • Laura Shechter, Brooklyn, NY
  • Matt Sheridan, Pasadena, CA
  • James Shrosbree, Fairfield, IA
  • Volker Sieben, Berlin, Germany
  • Shelley Spector, Philadelphia, PA
  • Marc Swanson, Catskill, NY
  • Kenichiro Taniguchi, Berlin, Germany
  • Lois Tarlow, Newton, MA
  • Francine Tint, New York, NY
  • Katharine Umsted, Hudson, NY
  • Fred Valentine, Ridgewood, NY
  • Mark Verabioff, Los Angeles, CA
  • Govind Vishwas, Mumbai, India
  • Bettina Von Zwehl, London, England
  • Jeff Whipple, Jacksonville, FL
  • Dane Winkler, Greensboro, NC
  • Isabel Yellin, Los Angeles, CA
  • Bahar Yurukoglu, Istanbul, Turkey
  • Phillip Zach, Los Angeles, CA
  • Andrew Zimmerman, Maplewood, NJ

The Pollock-Krasner Foundation, 2017-18 Organization Grantees:

  • Art Table, New York, NY; honorarium for Artist Perspective Dialogue series
  • Artadia: The Fund for Art and Dialogue, Brooklyn, NY; support for the Art & Dialogue Program
  • Aspen Institute Nonprofit Sector and Philanthropy Program, Washington, DC; the dissemination of the Artists Endowed Foundation Initiative and publication activities
  • Barbican Centre, London, UK; support for an upcoming exhibition
  • Beta-Local San Juan, PR; emergency grants for visual artists in Puerto Rico affected by Hurricanes Irma and Maria, and also for artists in the La Práctica program
  • Charlotte Street Foundation, Kansas City, MO; support for visual artist studio expenses
  • City Arts, New York, NY; honorarium for artist mural installation
  • Guild Hall of East Hampton, East Hampton, NY; visual artist residency program
  • International Foundation for Art Research, New York, NY
  • International Studio & Curatorial Program, Brooklyn, NY; residency expenses for international artists creating work in New York
  • Light Work Visual Studies, Inc., Syracuse, NY; stipends for photographers participating in residency program
  • Madison Square Park Conservancy, New York, NY; support for Martin Puryear’s exhibition at the U.S. Pavilion at the 2019 Venice Biennale
  • MacDowell Colony, New York, NY; emergency residency expenses for artists affected by the 2017 hurricanes and also for regular visual artist residencies
  • Museum of Arts and Design New York, NY; residency support for artists participating in residency program open to the public within museum
  • New York Foundation for the Arts, Brooklyn, NY; support for The Source, a comprehensive artist resource database
  • Sculpture Center, Long Island City, NY; sculptor residency expenses of the In Practice Program
  • Skowhegan School of Painting & Sculpture, New York, NY; creation of The Pollock-Krasner Foundation Ceramics Studio and Charles C. Bergman fellowship for a visual artist residency
  • Storm King Art Center, New Windsor, NY; support for the Shandaken Project sculpture residency/program
  • The Art Studio Inc., Beaumont, TX; emergency support to help with 2017 hurricane studio damage
  • The Pollock-Krasner House and Study Center, East Hampton, NY; fellowship support for scholarly research on Lee Krasner
  • Vermont Studio Center, Johnson, VT; support for Emergency Relief Fund to provide artist’s residencies after the hurricanes of 2017 and funds for regular residency support
  • Voices in Contemporary Art, Brooklyn, NY; for Artist Talks program
  • Wave Hill, Bronx, NY; artist stipends for Winter Workspace and Sunroom Project residencies
  • Whitechapel Gallery. London, UK; support for the 2018 Pollock archive exhibition
  • Woodstock Byrdcliffe Guild, Woodstock, NY; renovation of studio space and emergency residency support for artists affected by the 2017 hurricanes

 ABOUT THE POLLOCK KRASNER FOUNDATION.

The Pollock-Krasner Foundation. was established in 1985 through the generosity of the late Lee Krasner, one of the leading abstraction expressionist painters and spouse of Jackson Pollock. Based in New York and operating internationally, the Foundation’s grants enable artists to create new work, purchase needed materials and pay studio rent, as well as meet their personal and medical expenses. Recipients of Pollock-Krasner grants have acknowledged their critical impact in allowing concentrated time to work in the studio and prepare for exhibitions and other professional opportunities such as residencies.

To provide additional support, the Foundation maintains an up to date and comprehensive Grantee Image Collection representing the work of artists who have received grants since 1985. Each artist is requested to give the Foundation permission to post two images of works from the year of his or her grant and also has the option of adding to this number with later works. The database also provides contact information for each artist. For more information, including guidelines for grant applications, the public may visit the Foundation’s website at www.pkf.org.

# # #

Press Inquiries:

Resnicow and Associates

Julie Danni / Ilana Simon Rubin

212-671-5173 / 720-746-9552

jdanni@resnicow.com / irubin@resnicow.com


April 16, 2018

The Pollock-Krasner Foundation, Inc. awards the second Pollock Prize for Creativity to Amy Sherald.

NEW YORK, NY, April 16, 2018— Kerrie Buitrago, Executive Vice President and Chief Operating Officer of the Pollock-Krasner Foundation, today announced that Amy Sherald is the recipient of the second Pollock Prize for Creativity, honoring an outstanding artist whose work embodies high creative standards and exemplifies the impact of art on individuals and society. The Pollock Prize carries a cash award of $50,000.

Sherald hails from Baltimore. Her portraiture is a compelling commentary on race and heritage; the work is subtle in its innuendo, yet the subject’s gaze is always very direct, creating a dynamic tension on the canvas. Sherald is the first African American to receive first prize in 2016 Outwin Boochever Portrait Competition from the National Gallery, where her portrait of First Lady Michelle Obama was unveiled earlier this year.

The Pollock Prize is an extension of the existing Lee Krasner Award, given to an older artist in recognition of a lifetime of achievement. The Pollock Prize, by contrast, will lend support to outstanding artists who may be in mid-career, and whose ongoing work has a social and cultural dimension. The Prize will be awarded to an artist working in one of the disciplines the Pollock-Krasner Foundation supports—painting, sculpture, works on paper and printmaking, or photography. As with the Lee Krasner Award, there is no application for the Pollock Prize, which is given by a Foundation jury based on the recommendations of a network of nominators.

Amy Sherald said, “I am honored to receive this year’s Pollock Prize for Creativity. Jackson Pollock’s radical disruption of the two-dimensional picture plane to energize abstract forms has resonated greatly in my own journey to examine and elaborate art historical conventions. My paintings seek to reshape critical and cultural dialogues around representations of black experiences in portraiture and other modes of visual imagination. Depicting black people engaged and present in contemporary, everyday life, I partake in the slow and intensive tradition of American realist painting. I am profoundly grateful to the Pollock-Krasner Foundation for supporting this work and for providing me with the resources to continue sharing American stories otherwise removed from the dominant, canonical narratives.”

Kerrie Buitrago noted, “It is exciting to encounter an artist like Amy Sherald who is able to convey in a beautiful and meaningful way the important historical narrative of black heritage. The Pollock-Krasner Foundation is delighted to be able to make this award and to recognize Amy Sherald’s groundbreaking achievement in conceptual portraiture.”

The Pollock-Krasner Foundation, Inc. was established in 1985 through the generosity of the late Lee Krasner, one of the leading abstraction expressionist painters and the widow of Jackson Pollock. Based in New York but operating internationally, the Foundation through its grants has enabled artists to create new work, purchase needed materials and pay for studio rent, as well as meet their personal and medical expenses. Recipients of Pollock-Krasner grants have acknowledged their critical impact in allowing concentrated time to work in the studio and prepare for exhibitions and other professional opportunities such as residencies. The Foundation has awarded more than 4,400 grants to date in 77 countries, for a total of more than $71 million.

To provide additional support, the Foundation maintains an up to date and comprehensive Grantee Image Collection representing the work of artists who have received grants since inception. Each artist is requested to give the Foundation permission to post two images of works from the year of his or her grant and also has the option of adding to this number with later works. The database also provides contact information for each artist.

For more information, including guidelines for grant applications, the public may visit the Foundation’s website at www.pkf.org.

PRESS CONTACT:
Kerrie Buitrago
Executive Vice President & Chief Operating Officer
The Pollock-Krasner Foundation
kbuitrago@pkf.org / (212) 517-5400

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Image credit: Amy Sherald, They Call Me Redbone But I’d Rather Be Strawberry Shortcake, oil on canvas, 54 x 43 inches.


March 29, 2018

The Pollock-Krasner Foundation, Inc. announces the appointment of Ronald D. Spencer as its Chairman and CEO.

 

New York, NY – It was announced by Kerrie Buitrago, Chief Operating Officer of The Pollock-Krasner Foundation, that Ronald D. Spencer, attorney at the law firm of Carter, Ledyard and Milburn will succeed Charles C. Bergman as Chairman and CEO of the Foundation. “Mr. Spencer is a distinguished lawyer whose career demonstrates a comprehensive knowledge and experience in advising artist and collector established foundations, “ said Ms. Buitrago. “We have worked with Mr. Spencer over many years and are delighted to welcome him as our Chairman and CEO. I know first-hand how much the Foundation will benefit under his stewardship.” Samuel Sachs II, Board President noted “Long associated with both his predecessor and this foundation, Mr. Spencer brings a wealth of knowledge which will greatly enhance our future.”

Mr. Spencer is Chairman of the Art Law Group at the law firm of Carter Ledyard & Milburn in New York City and as author of The Expert Versus The Object: Judging Fakes and False Attributions in the Visual Arts has demonstrated expertise in the legal aspects of art authentication issues. He is the Editor of Spencer’s Art Law Journal, published on Artnet and The Art Newspaper, dealing with legal issues of practical significance for collectors, dealers, scholars and the art-minded public.

Mr. Spencer is a Trustee of the Lachaise Foundation. He is founder and Chairman of the Fund for Park Avenue which landscapes the Park Avenue Malls from 53rd Street to 86th Street in Manhattan. He is also a member of the Sculpture committee of the Fund which selects contemporary sculpture for exhibition on Park Avenue. Mr. Spencer is legal counsel to numerous artist and collector-established foundations.

“It has been a great privilege to serve as legal counsel to The Pollock-Krasner Foundation since its establishment.  Now, under my leadership, I look forward to continuing the tradition established by my friend and predecessor, Charles C. Bergman. Lee Krasner’s will states that the mandate of the Foundation is to aid ‘worthy and needy’ visual artists, and I will do my utmost to carry out her wishes,” stated Mr. Spencer.

ABOUT THE POLLOCK-KRASNER FOUNDATION

The Pollock-Krasner Foundation, Inc. was established in 1985 for the sole purpose of providing financial assistance to individual working artists of established ability through the generosity of the late Lee Krasner, one of the leading abstract painters and the widow of Jackson Pollock. To date, the Foundation has given 4,414 grants totaling over $71 million to artists in 77 countries.


February 28, 2018

The Pollock-Krasner Foundation, Inc. mourns the loss of its Chairman and CEO, Charles C. Bergman (1933-2018)

Charles C. Bergman (1933-2018)

photo courtesy of Joe Fornabaio

NEW YORK, NY, February 27, 2018- The Pollock-Krasner Foundation mourns the loss of Chairman and Chief Executive Officer Charles C. Bergman, who organized the Foundation at its inception and guided it for more than three decades with great wisdom and generosity.

Born in 1933 and raised in Boston, Baltimore and Pittsburgh, Mr. Bergman graduated from Harvard in 1954 and dedicated the early part of his career to the field of mental health. After serving as a Vice President of the People to People Health Foundation (Project HOPE), he became a special advisor in mental health under Presidents Nixon, Ford and Carter. Beginning in the early 1970s he was the head of the largest psychotherapy training program in the United States, the Institutes of Religion and Health, which he formed by merging the Academy of Religion and Mental Health with the American Foundation of Religion and Psychiatry.

In 1984, at the request of Lee Krasner’s attorney, Gerald Dickler, Mr. Bergman agreed to serve as a consultant on forming a charitable foundation, to be established with the assets of the estates of Ms. Krasner and her husband Jackson Pollock. When the foundation was granted legal approval in April 1985, he became Executive Vice President of the Pollock-Krasner Foundation, serving at first with President Eugene V. Thaw (co-trustee of Lee Krasner’s estate). He soon assumed the role of Chairman and CEO and was joined by Kerrie Buitrago as Executive Vice President, and upon Mr. Thaw’s retirement as President worked closely with his successor, Samuel Sachs II.

It was largely because of Mr. Bergman’s insight that the Pollock-Krasner Foundation defined its mission as providing cash grants to worthy individual artists in need, in the United States and around the world. Under Mr. Bergman’s leadership, the Pollock-Krasner Foundation awarded more than 4,400 grants totaling more than $71 million to artists in 77 countries. Mr. Bergman took special pleasure in personally informing each grantee of his or her award.

In addition to his many years of service at the Pollock-Krasner Foundation, Mr. Bergman served on the Cultural Affairs Advisory Commission of New York City, the Overseers’ Committee of the Harvard University Art Museums and the New York State Council on the Arts and was Vice President of the Inter-American Foundation for the Arts. He served on the boards of the Alliance for Young Artists and Writers, the National Young Arts Foundation, the Children’s Radio Foundation, the sculpture committee of the Fund for Park Avenue, the New York Foundation for the Arts Leadership Council, and the philanthropy committee of the Robert Rauschenberg Foundation, among many others.

Mr. Bergman is survived by his spouse Stuart Levy, whom he married in 2015.


February 20, 2018

The Pollock-Krasner Foundation mourns the loss of its President Emeritus, Eugene V. Thaw (1927-2018).

Eugene V. Thaw (1927-2018)

NEW YORK, NY, February 20, 2018 – All at the Pollock-Krasner Foundation warmly remember our founding Board President, Eugene V. Thaw, who passed away in January of this year. Not only was Gene a legendary dealer, an ultimate connoisseur and exceedingly generous philanthropist, he was Lee Krasner’s art advisor and thereby instrumental in establishing this Foundation, which has benefitted thousands of artists worldwide. In the early days of the Foundation, Thaw had the extraordinary responsibility of overseeing the sales of the works by Pollock and Krasner held in Lee’s estate. The proceeds became our endowment which has enabled the Foundation, since inception in 1985, to impact thousands of artists internationally. His scholarly work has also had enormous impact on the Foundation through his collaboration with Francis V. O’Connor on the Jackson Pollock catalogue raisonné, published by Yale in 1978, which remains the definitive and authoritative Pollock compilation.

We have lost one of our founders, an eminently respected true friend, whose legacy will endure.


February 1, 2018

The Pollock-Krasner Foundation announces the loss of Francis V. O’Connor (1937– 2017), the distinguished scholar of Jackson Pollock.

Francis Valentine O’Connor, Ph.D. (1937-2017)

NEW YORK, NY, February 1, 2018 – The foremost scholar of Jackson Pollock and a pioneer in the study of the New Deal art projects died suddenly at his home in Manhattan on November 20.

Francis broke new scholarly ground with his 1965 doctoral dissertation on Pollock. That research resulted in his chronology for the catalog of MoMA’s 1967 Pollock retrospective, and his subsequent collaboration with Eugene V. Thaw on the compilation of the authoritative fourvolume Pollock catalogue raisonné, published by Yale in 1978, with a 1995 supplement by Francis alone. He was a distinguished member of the Pollock authentication board during Lee Krasner’s lifetime and after her death until it was dissolved, and was outspoken in his insistence on the importance of connoisseurship in the authentication process.

His work on Pollock led to his study of the New Deal federal art patronage programs, on which Pollock, Krasner, and many of their contemporaries worked throughout the Great Depression. He authored three books on the subject, as well as essays and exhibition catalogs on New Deal art. This stimulated further research into the history of mural art in America, which he published in 201 1 as a Web site-described by one reviewer as “the result of thirty years of passionate and meticulous study.”

Francis was also a poet, having originally majored in English at Manhattan College and creative writing at Johns Hopkins. A group of twelve of his sonnets on abstract expressionist painters was published in the Art Journal in 1988, and three of his poems were included in the 2000 anthology, Such Desperate Joy: Imagining Jackson Pollock.

The Pollock-Krasner House and Study Center is planning a memorial tribute to celebrate Francis’s legacy of scholarship, integrity, and creativity.


November 2, 2016

Pollock-Krasner Foundation Selects Paul Kasmin Gallery to Represent the Works of Lee Krasner

First Krasner Exhibition Planned at Paul Kasmin Gallery for Autumn 2017

NEW YORK, NY, November 2, 2016 – Charles C. Bergman, Chairman and CEO of the Pollock-Krasner Foundation, today announced the selection of Paul Kasmin Gallery to represent its holdings of artworks by its founder, Lee Krasner (1908-1984). Established in 1985 through the generous bequest of Krasner, one of the leading Abstract Expressionist painters and the widow of Jackson Pollock, the Foundation is the successor to the estates of both artists. It was formed for the sole purpose of providing financial assistance, whether professional or personal, to individual visual artists of recognized merit.

Samuel Sachs II, President of the Pollock-Krasner Foundation, said, “The reputation of Paul Kasmin Gallery and its worldwide following give us great hope for the continuing and increasing recognition of Lee Krasner’s artistic achievements. We are delighted that her work will be represented with the outstanding professionalism for which Paul Kasmin Gallery is known.”

Paul Kasmin said, “Lee Krasner is frequently overlooked but remains one of the great artists of the 20th century. I have held both Lee Krasner and the Pollock- Krasner Foundation in the highest esteem for many years. It is incredibly exciting for the gallery to begin this collaboration.” Paul Kasmin Gallery will present its first Lee Krasner exhibition in autumn 2017.

Founded in SoHo in 1989, Paul Kasmin Gallery now maintains three locations in Chelsea and participates each year in numerous international art fairs. The gallery’s program currently includes representation of the estates of Constantin Brâncuși, William N. Copley, Max Ernst, Simon Hantaï and Robert Motherwell, among others.

Born in Brooklyn in 1908, Lee Krasner studied at the Women’s Art School of Cooper Union, the National Academy of Design and the Art Students League and in 1937 began taking classes with Hans Hofmann. Through membership in the American Abstract Artists group she met many of the painters who would eventually become known as Abstract Expressionists, but she did not encounter Jackson Pollock until 1942, when they both exhibited works at McMillen Gallery. In 1945, she and Pollock married. They worked in separate studios of the farmhouse they shared outside Easthampton until Pollock’s death.

Shortly after Krasner’s death in 1984, The Museum of Modern Art presented a major retrospective of her work, which has also been the subject of major traveling exhibitions. Her paintings are in the permanent collections of institutions including The Museum of Modern Art, the Metropolitan Museum of Art, the Whitney Museum of American Art, the National Gallery of Art, the Philadelphia Museum of Art, San Francisco Museum of Modern Art and the Albright-Knox Art Gallery. The literature on her includes a full-length biography by art historian Gail Levin, published in 2012. Her papers are held by the Archives of American Art.

About the Pollock-Krasner Foundation
Based in New York but operating internationally, the Pollock-Krasner Foundation to date has made more than 4,100 grants to individual artists in 77 countries, for a total of more than $65 million. Through these grants, the Foundation has enabled artists to create new work, purchase needed materials and pay for studio rent, as well as meet their personal and medical expenses. Recipients of Pollock-Krasner grants have acknowledged their critical impact in allowing concentrated time to work in the studio and prepare for exhibitions and other professional opportunities such as residencies. To provide additional support, the Foundation maintains an up-to-date and comprehensive Grantee Image Collection representing the work of artists who have received grants since inception. Other initiatives of the Pollock-Krasner Foundation have included taking a leadership role (along with the Roy Lichtenstein Foundation and the Andy Warhol Foundation for the Visual Arts) in supporting the groundbreaking report by the Aspen Institute’s Program on Philanthropy and Social Innovation, The Artist as Philanthropist: Strengthening the Next Generation of Artist-Endowed Foundations. For more information, including guidelines for grant applications, the public may visit the Foundation’s website at www.pkf.org

Image: Lee Krasner in Hans Hoffman’s studio, early 1940s. Photo: Robert E. Mates and Paul Katz. Lee Krasner artwork © Pollock-Krasner Foundation / Artists Rights Society (ARS), New York.

Press Contacts:

The Pollock-Krasner Foundation
Natasha Le Bel / Polskin Arts & Communications Counselors
+1 212.715.1644
natasha.lebel@finnpartners.com

Paul Kasmin Gallery
Anna Rosa Thomae / ART
+49.172.366.7778
art@annarosathomae.com


March 16, 2016

Pollock-Krasner Foundation Establishes the Annual Pollock Prize for Creativity

South African Photographer Gideon Mendel Is First Recipient

Gideon Mendel, Chinita and Samundri Davi. Salempur Village near Muzaffarpur, Bihar, India, August 2007.Lightjet C type photographic print on Fuji Crystal Archive Paper, 100 x 100 cm

NEW YORK, NY, March 16, 2016 – Charles C. Bergman, chairman and CEO of the Pollock-Krasner Foundation, today announced the establishment of a new award, the Pollock Prize for Creativity, honoring an outstanding artist whose work embodies high creative standards and exemplifies the impact of art on individuals and society. Given on a yearly basis, the Pollock Prize carries a cash award of $50,000 and the recognition of the organization safeguarding the artistic legacies of Jackson Pollock and Lee Krasner.

The recipient of the inaugural Pollock Prize for Creativity is photographer Gideon Mendel. Born in Johannesburg in 1959, Mendel first came to prominence as a “struggle photographer” during the final years of apartheid. After moving to London in the early 1990s, he expanded the range of his subject matter to include the lives of people with HIV/AIDS in Africa and elsewhere (A Broken Landscape; Framing AIDS) and the effects of climate change (Drowning World). In his ongoing project Through Positive Eyes, he has served not as a photographer but an enabler, handing the camera to people living with HIV so they can show their own reality. His work has been exhibited in numerous gallery and museum shows (including the ICP Triennial in New York) and published in magazines including National Geographic, Rolling Stone, L’Express, Stern, The Sunday Times Magazine and The Guardian Weekend Magazine. Among the honors he has previously received are the Eugene Smith Award for Humanistic Photography and the Amnesty International Media Award for Photojournalism. The exhibition Drowning World: Gideon Mendel will be presented May 13 – October 16, 2016, at the Eli and Edythe Broad Art Museum at Michigan State University. He is represented by Axis Gallery in New York.

“As the Pollock-Krasner Foundation celebrates its 30th anniversary, we are proud to expand on our record of service by inaugurating the Pollock Prize for Creativity,” Charles Bergman stated. “It is a natural extension of our mission to provide financial assistance to individual artists of established ability, which we have done by making more than 4,100 grants to date in 77 countries, for a total of more than $65 million.”

The new prize is an extension of the existing Lee Krasner Award, given to an older artist in recognition of a lifetime of achievement. The Pollock Prize, by contrast, will lend support to outstanding artists who may be in mid-career, and whose ongoing work has a social and cultural dimension. The Prize will be awarded to an artist working in one of the disciplines the Pollock-Krasner Foundation supports—painting, sculpture, works on paper and printmaking, or photography. As with the Lee Krasner Award, there is no application for the Pollock Prize, which is given by a Foundation jury based on the recommendations of a network of nominators.

Charles Bergman said, “I am deeply grateful to our president Samuel Sachs II, our executive vice president Kerrie Buitrago and our program director Caroline Black for developing this new initiative, which carries forward the Foundation’s mission.”

Gideon Mendel said, “It’s a huge honor to receive this award named after Jackson Pollock, an artist I’ve always loved for his freedom in breaking barriers. Because my own work increasingly straddles the border between art, documentation and activism, it’s all the more important to me that the prize is given not for photography but for creativity in general. For the past nine years, the Drowning World project has been an all-consuming labor of love—an incredibly complex and expensive labor. I am deeply grateful to the Pollock-Krasner Foundation for recognizing the project through this prize, which will help me immeasurably in bringing Drowning World to completion.”

The Foundation’s President, Samuel Sachs II, said, “I congratulate Gideon Mendel, who creates powerful images and uses his art to raise awareness of critical issues and encourage change. It is with appreciation that we confer on him the first Pollock Prize for Creativity.”

The Pollock-Krasner Foundation, Inc. was established in 1985 through the generosity of the late Lee Krasner, one of the leading abstraction expressionist painters and the widow of Jackson Pollock. Based in New York but operating internationally, the Foundation through its grants has enabled artists to create new work, purchase needed materials and pay for studio rent, as well as meet their personal and medical expenses. Recipients of Pollock-Krasner grants have acknowledged their critical impact in allowing concentrated time to work in the studio and prepare for exhibitions and other professional opportunities such as residencies.

To provide additional support, the Foundation maintains an up to date and comprehensive Grantee Image Collection representing the work of artists who have received grants since inception. Each artist is requested to give the Foundation permission to post two images of works from the year of his or her grant and also has the option of adding to this number with later works. The database also provides contact information for each artist.

Other initiatives of the Pollock-Krasner Foundation have included taking a leadership role (along with the Roy Lichtenstein Foundation and the Andy Warhol Foundation for the Visual Arts) in supporting the groundbreaking report by the Aspen Institute’s Program on Philanthropy and Social Innovation, The Artist as Philanthropist: Strengthening the Next Generation of Artist-Endowed Foundations.

For more information, including guidelines for grant applications, the public may visit the Foundation’s website at www.pkf.org.

Image credit: Gideon Mendel, Jeff and Tracey Waters, Staines-upon-Thames, Surrey, UK (February 2014), 122 by 122 cm, Lightjet C Type photographic print on Fuji Crystal Archive Paper

PRESS CONTACT:
Polskin Arts & Communications Counselors
Natasha Le Bel, Executive Vice President
Natasha.LeBel@finnpartners.com / 212-715-1644


Press Contact:

Resnicow and Associates
Julie Danni / Ilana Simon Rubin
212-671-5173 / 720-746-9552
jdanni@resnicow.com / irubin@resnicow.com